{"id":6877,"date":"2024-07-31T13:50:24","date_gmt":"2024-07-31T13:50:24","guid":{"rendered":"https:\/\/bibliopera.test.ku.edu.tr\/publications\/"},"modified":"2025-05-07T11:12:20","modified_gmt":"2025-05-07T11:12:20","slug":"publications","status":"publish","type":"page","link":"https:\/\/bibliopera.org\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\t\t
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Aziz Mahmud H\u00fcdayi in Istanbul \u2013 Biographie eines Ortes<\/strong><\/h6>
Subject<\/strong><\/td>Aziz Mahmud H\u00fcdayi\u2018nin (1541-1628) hayat\u0131, \u00dcsk\u00fcdar\u2019daki t\u00fcrbesi, Istanbul\u2019da Sufismin k\u00fclt\u00fcr\u00fc<\/td><\/tr>
Author<\/strong><\/td>Dr. Esther Voswinckel Filiz<\/td><\/tr>
Year<\/strong><\/td>2022<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-95650-989-6<\/td><\/tr>
Publisher<\/strong><\/td>Orient-Institut Istanbul<\/td><\/tr>
Summary<\/strong><\/td>Aziz Mahmud H\u00fcdayi (1541 \u2013 1628) \u015f\u00f6hreti \u0130stanbul s\u0131n\u0131rlar\u0131n\u0131n \u00e7ok \u00f6tesine ta\u015fan bir Osmanl\u0131 mutasavv\u0131f\u0131d\u0131r. Celvetiyye tarikat\u0131n\u0131n \u201cikinci piri\u201d (pir-i s\u00e2n\u00ee) olarak kabul edilen Aziz Mahmud H\u00fcdayi sultanlar\u0131n hocas\u0131, \u0130stanbul Bo\u011faz\u0131 ve denizcilerin koruyucusu olarak bilinir. \u00dcsk\u00fcdar\u2019daki t\u00fcrbesi, g\u00fcn\u00fcm\u00fczde h\u00e2l\u00e2 farkl\u0131 insanlar taraf\u0131ndan ziyaret edilen \u00e7ok canl\u0131 bir din\u00ee cazibe noktas\u0131d\u0131r. Esther Voswinckel Filiz\u2019in din antropolojisi \u00e7al\u0131\u015fmas\u0131 \u00dcsk\u00fcdar\u2019da y\u0131llar s\u00fcren bir alan ara\u015ft\u0131rmas\u0131na dayan\u0131yor. \u0130nsanlar\u0131n burada veli ile nas\u0131l bir ili\u015fki i\u00e7erisinde olduklar\u0131n\u0131, mek\u00e2n\u0131n \u00e7ok katmanl\u0131 maddeselli\u011fini, eski ile yeni, ta\u015f\u0131n\u0131r ile ta\u015f\u0131nmaz ve keza mevcut ile namevcut olan\u0131n mek\u00e2nda birlikteli\u011fini ve bu ili\u015fkide nas\u0131l bir rol oynad\u0131\u011f\u0131n\u0131 bu eserde inceliyor. Kitap, \u00dcsk\u00fcdar\u2019\u0131n t\u00fcrbe ziyaretleriyle ilgili din\u00ee \u00e2det ve geleneklerinden geleneksel \u015fifa sanat\u0131na, r\u00fcya tabirlerine, ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fcnde nesilden nesile aktar\u0131larak ta\u015f\u0131nm\u0131\u015f evliya menak\u0131plar\u0131na ve t\u00fcrbedeki t\u00e2c-\u0131 \u0219er\u00eef denilen sanduka ba\u015fl\u0131klar\u0131n\u0131n dikilmesi ve sar\u0131lmas\u0131na var\u0131ncaya kadar bir\u00e7ok meseleye e\u011filiyor. 20. y\u00fczy\u0131lda ya\u015fam\u0131\u015f \u00e7e\u015fitli mutasavv\u0131f \u015fahsiyetlerin hayatlar\u0131 \u00fczerine bir\u00e7ok \u00e7al\u0131\u015fma olmas\u0131na ra\u011fmen 1925\u2019den g\u00fcn\u00fcm\u00fcze tasavvufun maddi k\u00fclt\u00fcre ve \u201ce\u015fyalar\u0131\u201dna bakan y\u00f6n\u00fc nadiren ele al\u0131nm\u0131\u015ft\u0131r. Kitap, \u0130stanbul\u2019un din\u00ee tarihinin kendine \u00f6zg\u00fc bu boyutuna y\u00f6nelmektedir.<\/span><\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Ledger<\/h6>
Subject<\/strong><\/td>Cemeteries<\/td><\/tr>
Author<\/strong><\/td>\u00a0<\/td><\/tr>
Year<\/strong><\/td>2022<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>\u00a0<\/td><\/tr>
Publisher<\/strong><\/td>ORIENT-INSTITUT ISTANBUL<\/td><\/tr>
Summary<\/strong><\/td>The Ledger. Bulletin of the Ferik\u00f6y Protestant Cemetery Initiative\u00a0is the jointly published journal of the
scientific advisory board of the central cemetery for foreign Protestant and non-Catholic or Orthodox
Christians in Istanbul, which was founded in 1859. Due to its cultural and historical significance, the
cemetery is registered as a \u201csignificant cemetery\u201d by the Association of Significant Cemeteries of Europe
(ASCE). The advisory board includes academics from the Orient-Institut Istanbul and the foreign research
institutes of Great Britain, the Netherlands, the United States, Switzerland, Sweden and Hungary based
in Turkey.
The journal has been published twice a year since 2021. In addition to a small free print run,\u00a0The
Ledger\u00a0is available online on the website of the Ferik\u00f6y Protestant Cemetery
Initiative:\u00a0http:\/\/www.ferikoycemetery.org.<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Istanbuler Texte und Studien<\/h6>
Subject<\/strong><\/td>Cultural Communities<\/td><\/tr>
Author<\/strong><\/td>Prof. Dr. Judith I. Haug<\/a>,\u00a0Prof. Dr. Hanna Walsdorf<\/a><\/td><\/tr>
Year<\/strong><\/td>\u00a02023<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-98740-044-5<\/td><\/tr>
Publisher<\/strong><\/td>ORIENT-INSTITUT ISTANBUL<\/td><\/tr>
Summary<\/strong><\/td>The publication series \u201cIstanbuler Texte und Studien\u201d (ITS) has been published by Ergon Verlag in
W\u00fcrzburg, Germany, since 2003. The ITS publishes regularly, if not exclusively, the findings of research
conducted by academics affiliated with the Orient-Institut Istanbul as well as monographs and edited
volumes connected to the institute\u2019s research projects. After a moving wall of three years, each volume
is made available free of charge as an open-access ebook on the server of the Universit\u00e4ts- und Landesbibliothek Sachsen-Anhalt. Publications are externally reviewed to ensure the high quality
standards of this series.<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Memoria. Fontes minores ad Historiam Imperii Ottomanici pertinentes<\/h6>
Subject<\/strong><\/td>History and Geography<\/td><\/tr>
Author<\/strong><\/td>\u00a0<\/td><\/tr>
Year<\/strong><\/td>2023<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>2364-5997<\/td><\/tr>
Publisher<\/strong><\/td>ORIENT-INSTITUT ISTANBUL<\/td><\/tr>
Summary<\/strong><\/td>Many smaller autobiographical sources have not been considered by scholars to date due to the fact
that they were written in less common languages or because they are privately kept or otherwise
difficult to access. To fill this void, the online publication series \u201cMemoria. Fontes minores ad Historiam
Imperii Ottomanici pertinentes\u201d was established in 2015. The\u00a0series\u00a0is hosted by the Max Weber
Foundation at\u00a0www.perspectivia.net. The volumes are also available online at\u00a0MENAlib Digital
Publications.<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Pera-Bl\u00e4tter<\/h6>
Subject<\/strong><\/td>\u00a0<\/td><\/tr>
Author<\/strong><\/td>\u00a0<\/td><\/tr>
Year<\/strong><\/td>2024<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>2192-5291<\/td><\/tr>
Publisher<\/strong><\/td>ORIENT-INSTITUT ISTANBUL<\/td><\/tr>
Summary<\/strong><\/td>The Pera-Bl\u00e4tter is a series of occasional papers from the Orient-Institut Istanbul, in which contributions
of between 20 and 50 pages appear as individual publications. The Pera-Bl\u00e4tter are printed in a limited
edition in English or German and are published online in the original language and in Turkish.<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Newsletter Herbst 2024<\/strong><\/h6>\n\n\n\n\n\n\n\n\n
Subject<\/strong><\/td>\n <\/td>\n<\/tr>\n
Author<\/strong><\/td>\n <\/td>\n<\/tr>\n
Year<\/strong><\/td>\n2024<\/td>\n<\/tr>\n
ISBN\/ISSN<\/strong><\/td>\n <\/td>\n<\/tr>\n
Publisher<\/strong><\/td>\nORIENT-INSTITUT ISTANBUL<\/td>\n<\/tr>\n
Summary<\/strong><\/td>\nOnly Turkish and German versions are available. Click here<\/a> for the German version.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Maaria Wirkkala: Landing Prohibited<\/strong><\/h6>
Subject<\/strong><\/td>\u00a0<\/td><\/tr>
Author<\/strong><\/td>Nil\u00fcfer \u015ea\u015fmazer<\/span><\/td><\/tr>
Year<\/strong><\/td>September 2024<\/span><\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-605-73355-9-3<\/span><\/td><\/tr>
Publisher<\/strong><\/td>ARTER<\/td><\/tr>
Summary<\/strong><\/td>The fifth book of the Arter Close-Up series offers an in-depth look at Maaria Wirkkala’s installation\u00a0<\/span>Landing Prohibited,<\/span><\/i>\u00a0first exhibited at the 52nd Venice Biennale in 2007 and acquired the same year for the Arter Collection. The publication includes an introduction text by Nil\u00fcfer \u015ea\u015fmazer, the curator of the exhibition, as well as a comprehensive interview she conducted with the artist, highlighting how Wirkkala\u2019s upbringing both in Finland (Helsinki in the south, Lapland in the north) and in Italy (Venice) influenced her works through the ever-shifting elements of these geographies, such as water, air and light. Designed by Esen Karol, the book also features installation photographs and close-up images by Orhan Cem \u00c7etin, presenting the artwork in greater detail.<\/span><\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Registering Life in a Multicultural City: Late Ottoman Nicosia<\/strong><\/h6>
Subject<\/strong><\/td>Osmanl\u0131 Nicosia\u2019n\u0131n tarihi (K\u0131br\u0131s)<\/td><\/tr>
Author<\/strong><\/td>Prof. Dr. Evangelia Balta<\/td><\/tr>
Year<\/strong><\/td>2022<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-95650-991-9; 978-3-95650-904-9; 978-3-95650-906-3<\/td><\/tr>
Publisher<\/strong><\/td>Orient-Institut Istanbul<\/td><\/tr>
Summary<\/strong><\/td>\u0130nceleme toplamda Yunan ve Osmanl\u0131 ar\u015fiv materyalini ara\u015ft\u0131rmakta ve b\u00f6ylelikle Osmanl\u0131 egemenli\u011finin son y\u00fczy\u0131l\u0131nda Lefko\u015fa tarihinin \u015fimdiye kadar ara\u015ft\u0131r\u0131lmam\u0131\u015f bir y\u00f6n\u00fcne \u0131\u015f\u0131k tutmaktad\u0131r. Ayn\u0131 zamanda \u015fehrin Osmanl\u0131 tebaas\u0131na girdi\u011fi 1571\u2019e kadar uzanan daha \u00f6nceki y\u00fczy\u0131llardaki tarihine y\u00f6nelik kimi sorulara a\u00e7\u0131kl\u0131k kazand\u0131rmaktad\u0131r. Buna g\u00f6re kentin topografisi (semtlerin say\u0131s\u0131 ve adlar\u0131) ve gerek Frank gerek Venedik d\u00f6neminde \u015fehirde ya\u015fam\u0131\u015f olan etnik-dinsel cemaatler (Yunanlar, T\u00fcrkler, Ermeniler, Maronitler) hakk\u0131nda \u015fimdiye kadar ge\u00e7erli olan belli ba\u015fl\u0131 g\u00f6r\u00fc\u015flerin yeni bir de\u011ferlendirmesi y\u00f6n\u00fcnde temel olu\u015fturmaktad\u0131r. Birinci cilt okuru Osmanl\u0131 d\u00f6neminde sistematik bir muamele sonucunda ba\u015f g\u00f6steren n\u00fcfus felaketlerinin ara\u015ft\u0131rma sonu\u00e7lar\u0131yla tan\u0131\u015ft\u0131ran ve bu sonu\u00e7lar\u0131 yap\u0131t\u0131n sonraki iki cildinde yorumlayarak betimleyen tarihsel bir incelemedir. Yay\u0131n\u0131n i\u00e7erdi\u011fi Yunan ve Osmanl\u0131 kaynaklar\u0131, K\u0131br\u0131s\u2019\u0131n tarihine y\u00f6nelik ba\u015fka temalara e\u011filmek isteyenler i\u00e7in de de\u011ferli bir malzemeyi eri\u015filebilir hale getirmektedir.<\/span><\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Constantinople as Center and Crossroad<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Swedish Research Institute in Istanbul Transactions Vol.23<\/td><\/tr>
YAZAR<\/strong><\/td>Ed. Olof Heilo, Ingela Nilsson<\/td><\/tr>
YIL<\/strong><\/td>2019<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-91-85333-98-1<\/td><\/tr>
YAYINCI<\/strong><\/td>Eddy<\/td><\/tr>
\u00d6ZET<\/strong><\/td>The 23rd Transaction of Swedish Research Institute in Istanbul<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Istanbul-Kushta-Constantinople<\/a><\/strong><\/h6>
Subject<\/strong><\/td>Narratives of Identity in the Ottoman Capital, 1830-1930<\/td><\/tr>
Author<\/strong><\/td>Ed. Christoph Herzog and Richard Wittman<\/td><\/tr>
Year<\/strong><\/td>2019<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-1-138-63131-1<\/td><\/tr>
Publisher<\/strong><\/td>Routledge<\/td><\/tr>
Summary<\/strong><\/td>Life Narratives of the Ottoman Realm: Individual and Empire in the Near East<\/td><\/tr><\/tbody><\/table><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nachrichtendienstoffizier im Osmanischen Reich : Ernst Adolf Muellers Kriegseinsatz und Gefangenschaft im Vorderen Orient 1915-1919 : mit einer kritischen Edition seiner Erinnerungen<\/a><\/strong><\/h6>
Subject<\/strong><\/td>Ottoman Empire, Germany, WWI, prisoner of war, military intelligence service<\/td><\/tr>
Author<\/strong><\/td>Mueller, Ernst Adolf; Stein, Oliver<\/td><\/tr>
Year<\/strong><\/td>2018<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-95650-436-5<\/td><\/tr>
Publisher<\/strong><\/td>Orient-Institut Istanbul<\/td><\/tr>
Summary<\/strong><\/td>This book unites the critical edition of the war memories of Ernst Adolf Mueller (1898-1990) with a scientific study on German soldiers in the Middle East during the First World War. In addition to the soldier’s everyday experiences, the book examines for the first time the local mission of the German military intelligence service, the so-called Division III b, as well as the experiences of German prisoners of war in Egypt.
Starting point of the study are the memories Mueller wrote sixty years after the events. This text has a high source value in both empirical and historical terms. Especially against the background of Mueller’s entanglement in the early Nazi movement they throw an interesting light on the German memory culture in the 20th century. Special attention was paid to Mueller’s anti-Semitism and anti-Zionism, which had their starting point in his experiences during his war captivity.<\/td><\/tr><\/tbody><\/table><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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[ONLINE] Le Mort dans la ville : Pratiques, contextes et impacts des inhumations intra-muros en Anatolie, du d\u00e9but de l’Age du Bronze \u00e0 l’\u00e9poque romaine<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Classical Archaeology, Necropolis, Urban Burial<\/td><\/tr>
YAZAR<\/strong><\/td>Olivier Henry (dir.)<\/td><\/tr>
YIL<\/strong><\/td>2013<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>9782362450556<\/td><\/tr>
YAYINCI<\/strong><\/td>IFEA<\/td><\/tr>
\u00d6ZET<\/strong><\/td>Le d\u00e9veloppement de rites mortuaires complexes dans l\u2019histoire de l\u2019Homme a r\u00e9sult\u00e9 dans un r\u00f4le croissant jou\u00e9 par les pratiques fun\u00e9raires utilis\u00e9es comme moyen de resserrer les liens \u00e0 l\u2019int\u00e9rieur d\u2019une m\u00eame communaut\u00e9. \u00c0 cet \u00e9gard, le singulier usage d’inhumer un individu au c\u0153ur de la communaut\u00e9 r\u00e9v\u00e8le avec acuit\u00e9 la force de cette relation que pouvaient entretenir les vivants et les morts. Les d\u00e9couvertes arch\u00e9ologiques r\u00e9centes ont soulign\u00e9 l\u2019importance de telles pratiques li\u00e9es aux inhumations intra-muros en Anatolie. Bien qu\u2019il semble possible de tisser un lien continu entre ces coutumes, les contextes dans lesquels s\u2019inscrivent la pratique d\u2019inhumer une personne au c\u0153ur m\u00eame de la communaut\u00e9, depuis l\u2019enfant du N\u00e9olithique \u00e0 \u00c7atalh\u00f6y\u00fck \u00e0 la libraire de Celsius \u00e0 Eph\u00e8se, en passant par le Mausol\u00e9e d’Halicarnasse, ont n\u00e9anmoins radicalement chang\u00e9s en fonction des \u00e9poques et des lieux. L\u2019objectif de ce volume, en rassemblant des sp\u00e9cialistes de p\u00e9riodes et d\u2019horizons diff\u00e9rents, est d\u2019offrir non seulement
un point g\u00e9n\u00e9ral de nos connaissances sur ces questions, mais aussi un \u00e9clairage concernant le m\u00e9canisme de ces pratiques, leur contexte et leur impact en Anatolie, du d\u00e9but de l\u2019\u00c2ge du Bronze \u00e0 l\u2019\u00e9poque romaine.<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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[ONLINE] 4th Century Karia. Defining a Karian identity under the Hekatomnids<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Classical Archaeology, Labraunda Excavations, Karian Civilization<\/td><\/tr>
YAZAR<\/strong><\/td>Olivier Henry (dir.)<\/td><\/tr>
YIL<\/strong><\/td>2013<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>9782362450082<\/td><\/tr>
YAYINCI<\/strong><\/td>IFEA<\/td><\/tr>
\u00d6ZET<\/strong><\/td>The origins, identity and political behaviors of the Karians remain the subject of intense discussion among specialists. The political organization of Western Asia Minor during the 4th<\/sup>\u00a0century BC offers an opportunity to explore such questions; it was during this period that local dynasts, the Hekatomnids, reached a position of authority in the region that allowed them to fully express their political ambitions and to promote their own material culture.
Analyses of various aspects of this material culture have led scholars to describe the Hekatomnids in very different ways. They have been portrayed both as Persian dynasts and Proto-Hellenistic Kings, although they were neither Greek nor Persian This ambiguity is the result of attempts to approach the cultural identity of 4th century Karia in the light of the cultural power of its neighbors, rather than as the result of an intricate process of cultural interaction that included both local traditions and foreign borrowings.
Hekatomnid Karia is representative of the complex phenomenon of hybrid cultures that would later flourish in the Hellenistic World. Gathering specialists on Karian research, each offering a different approach, this book aims to cover a wide number of sources, from archaeological to geographical and historical. The collection of essays provides an in<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Merging Techniques and Cultures Technological Approaches in Archaeology. Istanbul 24-25 Novembre 2015, 6\u00e8mes Rencontres d’arch\u00e9ologie de l’IF\u00c9A<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Archaeology, History of Techniques<\/td><\/tr>
YAZAR<\/strong><\/td>Martin Godon (dir.)<\/td><\/tr>
YIL<\/strong><\/td>2018<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-2-36245-071-6<\/td><\/tr>
YAYINCI<\/strong><\/td>IFEA<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

This edition of the Sixth IFEA Archaeological Meeting presents a compilation of texts dedicated to technological approaches in material studies. The central subject of this book is to show some of the diversity of researches in this field, paying particular attention to Anthropology of techniques, methodology, and development of technological processes\u2019 studies in Turkey. Technological choices, cultural implications and environmental or technical determinism in the development of technological processes are also discussed throughout the different articles.<\/p>

We conceived this book as an educational support for students and researchers eager to discover the Anthropology of techniques and its related research methodologies. While delivering specific examples from lithic, rock cutting, ornaments making and pottery studies, a specific care is given to the bibliographical references, some of them available in the IF\u00c9A\u2019s library, to help the reader develop his knowledge and accompany him further in his research.<\/p>

116 pp, pb, articles in English and French.<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Islam in Central Asia and the Caucasus Since the Fall of the Soviet Union<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Islam, Caucasus, Central Asia, Political Science<\/td><\/tr>
YAZAR<\/strong><\/td>Bayram Balc\u0131<\/td><\/tr>
YIL<\/strong><\/td>2018<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>9781849049689<\/td><\/tr>
YAYINCI<\/strong><\/td>Hurst<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

With the end of the Soviet Union in 1991, a major turning point in all former Soviet republics, Central Asian and Caucasian countries began to reflect on their history and identities. As a consequence of their opening up to the global exchange of ideas, various strains of Islam and trends in Islamic thought have nourished the Islamic revival that had already started in the context of glasnost and perestroika\u2014from Turkey, Iran, the Arabian Peninsula, and from the Indian subcontinent; the four regions with strong ties to Central Asian and Caucasian Islam in the years before Soviet occupation.<\/span><\/p>

Bayram Balci seeks to analyse how these new Islamic influences have reached local societies and how they have interacted with pre-existing religious belief and practice. Combining exceptional erudition with rare first-hand research, Balci\u2019s book provides a sophisticated account of both the internal dynamics and external influences in the evolution of Islam in the region.<\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bat\u0131ya A\u00e7\u0131lan Pencere Galatasaray Lisesi\u2019nin 150 Y\u0131l\u0131<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Galatasaray Lisesi<\/td><\/tr>
YAZAR<\/strong><\/td>Kolektif<\/td><\/tr>
YIL<\/strong><\/td>2018<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-605-4642-81-6<\/td><\/tr>
YAYINCI<\/strong><\/td>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc Yay\u0131nlar\u0131<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

1868 y\u0131l\u0131nda, Abd\u00fclaziz\u2019in Fransa \u0130mparatoru III. Napol\u00e9on\u2019la kurdu\u011fu yak\u0131n ili\u015fki sonucu h\u00fck\u00fcmetin iki etkili bakan\u0131 \u00c2li ve Fuad pa\u015falar\u0131n giri\u015fimiyle projelendirilen Mekteb-i Sultani (Lyc\u00e9e Imp\u00e9rial Ottoman da Galata Serai) ise Avrupa\u2019n\u0131n en ileri standartlar\u0131na sahip bir orta \u00f6\u011fretim kurumu olarak tasarlanarak hayata ge\u00e7irildi. Laik e\u011fitimin de ilk \u00f6rne\u011fi say\u0131labilecek olan bu yeni tasar\u0131m, a\u00e7\u0131l\u0131\u015f\u0131ndan itibaren ra\u011fbet g\u00f6rd\u00fc ve 1871 y\u0131l\u0131ndan itibaren verdi\u011fi mezunlarla yenilik\u00e7i bir e\u011fitim gelene\u011fi olu\u015fturdu.<\/p>

G\u00fcn\u00fcm\u00fczden y\u00fcz elli y\u0131l \u00f6nce Mekteb-i Sultani\u2019yle ya\u015fanan d\u00f6n\u00fc\u015f\u00fcm, gerek Osmanl\u0131 Devleti\u2019nin son d\u00f6neminde, gerekse 1923 y\u0131l\u0131nda Galatasaray Lisesi ad\u0131n\u0131 ald\u0131ktan sonra, kurumun simgele\u015fip, \u00f6\u011frenci ve mezunlar\u0131na sosyok\u00fclt\u00fcrel bir \u00fcst kimlik sa\u011flamas\u0131na yol a\u00e7t\u0131.<\/p>

Sergi, 1868\u2019den bu yana s\u00fcren bir nitelikli insan yeti\u015ftirme vizyonundan kesitler sunarak, bir kamu kurulu\u015funun nadir rastlan\u0131r \u00f6zerk kurumsalla\u015fma \u00f6yk\u00fcs\u00fcnde sakl\u0131 olan ilham\u0131 payla\u015fmak amac\u0131yla tasarland\u0131.<\/p>

Edit\u00f6rl\u00fc\u011f\u00fcn\u00fc, serginin k\u00fcrat\u00f6r\u00fc olan \u0130zzeddin \u00c7al\u0131\u015flar\u2019\u0131n yapt\u0131\u011f\u0131 katalog, Emel Engin, Fethi \u0130sfendiyaro\u011flu, Seza Sinanlar Uslu, G\u00fcls\u00fcn G\u00fcvenli Vahdettin Engin, K\u00f6ksal Bayraktar, Y\u0131ld\u0131zhan Yayla, Tarkan Ok\u00e7uo\u011flu, Melih \u015eabano\u011flu ve \u0130zzeddin \u00c7al\u0131\u015flar\u2019\u0131n Galatasaray Lisesi\u2019nin t\u00fcm y\u00f6nleriyle ele al\u0131nd\u0131\u011f\u0131 kapsay\u0131c\u0131 makalelerinden olu\u015fuyor.<\/p>

\u00a0<\/div><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Migration from Turkey to Sweden : Integration, Belonging and Transnational Community<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Migration History, Turkish & Swedish Relations, Social Integration<\/td><\/tr>
YAZAR<\/strong><\/td>Bahar Ba\u015fer & Paul T. Levin<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-1-78453-869-9<\/td><\/tr>
YAYINCI<\/strong><\/td>I. B. Tauris<\/td><\/tr>
\u00d6ZET<\/strong><\/td>Transnational Communities<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Life is Short, Art Long The Art of Healing in Byzantium New Perspectives<\/a><\/strong><\/h6>
KONU<\/strong><\/td>\u015eifa, T\u0131p, Tedavi<\/td><\/tr>
YAZAR<\/strong><\/td>Kolektif<\/td><\/tr>
YIL<\/strong><\/td>2018<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978 605 4642 \u2013 76-2<\/td><\/tr>
YAYINCI<\/strong><\/td>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc Yay\u0131nlar\u0131<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

Ya\u015fam\u0131n merkezinde yer alan \u015fifa, t\u0131p, tedavi konular\u0131 ekseninde Bizans\u2019a yeni bir yakla\u015f\u0131m getirmeyi ama\u00e7layan bu kitap, dini inan\u00e7lardan do\u011fa\u00fcst\u00fc g\u00fc\u00e7lere, ebedi ahiret alg\u0131s\u0131ndan \u0130stanbul ve Anadolu\u2019da \u015fifa merkezlerine, t\u0131p literat\u00fcr\u00fcnden eczac\u0131l\u0131kta kullan\u0131lan egzotik maddelere eri\u015fim yollar\u0131na, a\u011f\u0131z sa\u011fl\u0131\u011f\u0131ndan besin al\u0131\u015fkanl\u0131klar\u0131na, Eski Yunan mitolojisinden tanr\u0131 Asklepios\u2019a uzanan geleneklere, Erken Osmanl\u0131\u2019da duyular\u0131 harekete ge\u00e7iren hastane mimarisi d\u00fczenine, disiplinler aras\u0131 k\u00f6pr\u00fcler uran on \u00fc\u00e7 makaleden derlenmi\u015ftir.<\/p>

\u0130\u00e7erik 2015\u2019te Pera M\u00fczesi\u2019nde yer alan\u00a0Hayat K\u0131sa, Sanat Uzun: Bizans\u2019ta \u015eifa Sanat\u0131<\/em><\/a>\u00a0sergisi kapsam\u0131nda, 14 Mart T\u0131p Bayram\u0131 g\u00fcn\u00fc d\u00fczenlenen sempozyum bildirilerinden yola \u00e7\u0131km\u0131\u015ft\u0131r. Kitab\u0131n dili \u0130ngilizcedir.<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Y\u0131ll\u0131\u011f\u0131 No.6<\/a><\/strong><\/h6>
KONU<\/strong><\/td>\u00a0<\/td><\/tr>
YAZAR<\/strong><\/td>Kolektif<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>2147-2068<\/td><\/tr>
YAYINCI<\/strong><\/td>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc Yay\u0131nlar\u0131<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

D\u00fcnyada pek az kentte rastlanan \u00e7ok renkli bir k\u00fclt\u00fcr da\u011farc\u0131\u011f\u0131na sahip olan \u0130stanbul\u2019da farkl\u0131 etnik k\u00f6kenlerden, dil ve inan\u00e7lardan insan topluluklar\u0131 ya\u015fam\u0131\u015f ve y\u00fczy\u0131llar i\u00e7inde birbirine eklemlenen k\u00fclt\u00fcr sentezleri yaratm\u0131\u015flard\u0131r. \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc de, kentin bu zengin k\u00fclt\u00fcrel \u00e7e\u015fitlili\u011finin ve k\u00fclt\u00fcrler aras\u0131 etkile\u015fimlerin incelenmesi ve sunulmas\u0131 amac\u0131yla yola \u00e7\u0131kt\u0131. Onuncu y\u0131l\u0131n\u0131 tamamlayan Enstit\u00fc\u2019n\u00fcn, alt\u0131nc\u0131 y\u0131l\u0131n\u0131 s\u00fcren\u00a0\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Y\u0131ll\u0131\u011f\u0131<\/em>\u00a0da bu amaca hizmet eden \u00f6nemli yay\u0131nlardan biri.<\/p>

Y\u0131ll\u0131\u011f\u0131n alt\u0131nc\u0131 say\u0131s\u0131nda \u201cKonstantinopolis\u2019teki Paral\u0131 Asker Yaz\u0131tlar\u0131, Remarques sur l\u2019Ambassade Hafside d\u2019Abu Amr Osman et de Molla Arab d\u2019Apr\u00e8s les Sources Ottomanes (Osmanl\u0131 kaynaklar\u0131na G\u00f6re Abu Amr Osman ve Molla Arab\u2019\u0131n Hafs\u00ee El\u00e7ili\u011fi), \u0130stanbul\u2019un Al\u00e7\u0131 Pencereleri, Topkap\u0131 Saray\u0131\u2019nda B\u00e2b\u00fcssaade\u2019nin Baz\u0131 Ayr\u0131nt\u0131lar\u0131 Hakk\u0131nda D\u00fc\u015f\u00fcnceler, 1882 Tarihli Bir Ke\u015ff-i Evvel \u0130n\u015faat Defterine G\u00f6re Dolmabah\u00e7e Saray\u0131 M\u00e2beyn-\u0130 H\u00fcm\u00e2y\u00fbnu: Mek\u00e2nlar\u0131 ve Onar\u0131m\u0131, Ar\u015fiv Belgeleri I\u015f\u0131\u011f\u0131nda 17.-19. Y\u00fczy\u0131llarda \u0130stanbul Bo\u011faz\u0131\u2019n\u0131n Savunma A\u011f\u0131, \u0130stanbul Deniz Surlar\u0131 ve Koruma Sorunlar\u0131, Halkal\u0131 Sular\u0131 ve 1859 Tarihli K\u00f6pr\u00fcl\u00fc Su Yolu Haritalar\u0131n\u0131n Sanat Tarihi A\u00e7\u0131s\u0131ndan De\u011ferlendirilmesi ve Restorasyonu, Vanik\u00f6y\u2019deki Merh\u00fbm Zahire N\u00e2z\u0131r\u0131 R\u0131za Efendi Yal\u0131s\u0131\u2019na Dair, \u201cBir Ac\u0131 Hikaye\u201d: Mimar Vedad (Tek) K\u0131z\u0131n\u0131n Mezar\u0131n\u0131 Tasarlad\u0131 m\u0131?, \u0130stanbul\u2019un Sessiz Tan\u0131klar\u0131: Ferik\u00f6y Latin Katolik Mezarl\u0131\u011f\u0131 Heykelleri,Camdaki Haf\u0131za: Ahmed Rasim, Foto\u011fraf ve Zaman, Hangi Usul Tenvir: Havagaz\u0131 m\u0131 Elektrik mi?, K\u00fcresel Silahlanma Yar\u0131\u015f\u0131nda Osmanl\u0131\u2019da Fi\u015fek \u00dcretimi: Zeytinburnu Fabrikas\u0131 ba\u015fl\u0131klar\u0131n\u0131 ta\u015f\u0131yan makaleler,yay\u0131n ilkelerimiz do\u011frultusunda, Antik \u00c7a\u011f Bizans, Osmanl\u0131 ve Cumhuriyet d\u00f6nemlerini kucaklayan geni\u015f bir \u00e7er\u00e7evede kentin tarihi, arkeolojisi ve k\u00fclt\u00fcrel kimli\u011finin \u00e7e\u015fitli boyutlar\u0131na, ayr\u0131ca k\u00fclt\u00fcr varl\u0131klar\u0131n\u0131n korunmas\u0131 ve onar\u0131m\u0131na ili\u015fkin \u00f6zg\u00fcn ara\u015ft\u0131rmalar\u0131n \u00fcr\u00fcn\u00fc olarak dikkat \u00e7ekiyor.<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Die materielle Kultur der Seeschlacht von Lepanto (1571) : Materialit\u00e4t, Medialit\u00e4t und die historische Produktion eines Ereignisses<\/a><\/strong><\/h6>
KONU<\/strong><\/td>History writing ; Battle of Lepanto<\/td><\/tr>
YAZAR<\/strong><\/td>Han\u00df, Stefan<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-95650-264-4<\/td><\/tr>
YAYINCI<\/strong><\/td>Orient-Institut Istanbul<\/td><\/tr>
\u00d6ZET<\/strong><\/td>Based on a history of event production (histoire de l’\u00e9v\u00e9nement), Stefan Han\u00df explores the contribution of early modern material culture to the production of history.<\/span>\u00a0Using the example of the Battle of Lepanto (1571), it shows how historical actors\u00a0<\/span><\/span>resorting to objects of a historical event\u00a0formed a paradigm that was and will be used for binary world constructions. 2 volumes.
<\/span><\/span><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Makams\u0131z. Individualization of Traditional Music on the Eve of Kemalist Turkey<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Music, Turkey<\/td><\/tr>
YAZAR<\/strong><\/td>Martin Greve<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-3-95650-278-1<\/td><\/tr>
YAYINCI<\/strong><\/td>Orient-Institut Istanbul<\/td><\/tr>
\u00d6ZET<\/strong><\/td>The book describes the confusing, contradictory and individualized musicscape in Turkey around the turn of the twenty-first century, including its prehistory throughout the twentieth century and sometimes beyond. Its focus lies on the recent tendency towards a disintegration of musical traditions into internationalism and multiple musical hybrids which might be described as a process of individualization. The category of individual as used here includes individual musicians, individual music pieces, individual life experiences, identities and approaches to music, individual musical projects, individual CDs and concerts, even individual concepts of music theory, conferences or research projects. Several factors lead to this development: A growing rate and importance of migration and international mobility; the increase of cross-cultural encounters and experiences; the availability of almost all Ottoman-Turkish, Anatolian and global musical styles, instruments and other musical elements via media; the opening up of identity discourses. A final chapter is intended as a reflection on the question of how this unprecedented musical expansion could have happened within an authoritarian state and society such as the Republic of Turkey.<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u0130stanbul’un Do\u011fal bitkileri<\/strong><\/h6>
KONU<\/strong><\/td>\u0130stanbul-Bitki T\u00fcrleri. Bitki \u00d6zellikleri<\/td><\/tr>
YAZAR<\/strong><\/td>Akkemik, \u00dcnal<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-605-63831-5-1<\/td><\/tr>
YAYINCI<\/strong><\/td>\u00c7EK\u00dcL Vakf\u0131<\/td><\/tr>
\u00d6ZET<\/strong><\/td>Ara\u015ft\u0131rmac\u0131lar ve do\u011fa tutkunlar\u0131 i\u00e7in \u00f6nemli bir kaynak\u00e7a niteli\u011findeki \u201c\u0130stanbul\u2019un Do\u011fal Bitkileri\u201d kitab\u0131; \u0130stanbul \u00dcniversitesi Orman Fak\u00fcltesi Orman Botani\u011fi Anabilim Dal\u0131 Ba\u015fkan\u0131 ve \u00c7EK\u00dcL Y\u00fcksek Dan\u0131\u015fma Kurulu \u00dcyesi Prof. Dr. \u00dcnal Akkemik\u2019in y\u0131llar s\u00fcren ara\u015ft\u0131rmalar\u0131n\u0131n bir \u00fcr\u00fcn\u00fc. 1152 sayfadan olu\u015fan kitap, \u0130stanbul\u2019un bitki \u00e7e\u015fitlili\u011fini g\u00f6zler \u00f6n\u00fcne seriyor. 8 bin 500 y\u0131ll\u0131k tarihi bir kent olan \u0130stanbul\u2019daki kentle\u015fme politikalar\u0131, yo\u011fun n\u00fcfus bask\u0131s\u0131yla birlikte baz\u0131 bitki t\u00fcrlerini do\u011frudan etkiliyor. \u00dcnal Akkemik, haz\u0131rlad\u0131\u011f\u0131 bu kapsaml\u0131 \u00e7al\u0131\u015fmayla; bu e\u015fsiz co\u011frafyay\u0131 payla\u015ft\u0131\u011f\u0131m\u0131z do\u011fal hayata ve kent i\u00e7inde bulunan bitkilere ilgi g\u00f6sterirken, ilgiye bilgi katmay\u0131 da \u00f6neriyor. \u00dc\u00e7 iklim ve flora ku\u015fa\u011f\u0131n\u0131n kesi\u015fme noktas\u0131nda bulunan \u0130stanbul, dikkat \u00e7eken bir bitki t\u00fcr say\u0131s\u0131na sahip.\u00a0\u0130stanbul\u2019da yakla\u015f\u0131k 2200 bitki t\u00fcr\u00fcn\u00fcn varl\u0131\u011f\u0131n\u0131 saptayan Prof. Dr. \u00dcnal Akkemik, kitab\u0131nda 982 tanesine yer verdi. Bitki tan\u0131m\u0131n\u0131 kolayla\u015ft\u0131ran foto\u011fraflarla desteklenen hacimli \u00e7al\u0131\u015fmas\u0131n\u0131 \u00e7i\u00e7ek renklerine g\u00f6re 9 ayr\u0131 b\u00f6l\u00fcmde kurgulad\u0131. Kitapta, \u0130stanbul\u2019da yok olma tehlikesi alt\u0131ndaki t\u00fcrleri de incelemeniz m\u00fcmk\u00fcn.<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The Message has to be spread: On the Character and Significance of Media in the Dissemination of Sufi Content in the Turkish Republic<\/a><\/strong><\/h6>
KONU<\/strong><\/td>This new issue of the European Journal of Turkish Studies, edited by Dilek Sarmis and B\u00e9atrice Hendrich, aims to question the place of media in the process of producing and disseminating artistic expressions, ideas and messages related to the Sufi realm of modern Turkey. The four articles in this issue, covering a historical span between the end of the Ottoman Empire to the present day, do not discuss the conformity to the internal logic of contents presented as a Sufi approach. Rather, to differing extents, they debate forms of mediation, mediatisation and medialisation as we encounter them in great variety in religious culture, teaching and practice generally; and particularly in the field of Islamic mysticism. The articles debate the role of those processes and the corollary of its encoding of Sufi \u201cmessages\u201d that preexist only insofar as they are defined in terms of heritage (literary, cultural, religious, ritual and mystical) and classical transmission.<\/td><\/tr>
YAZAR<\/strong><\/td>Dilek Sarm\u0131\u015f and B\u00e9atrice Hendrich (eds.)<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>\u00a0<\/td><\/tr>
YAYINCI<\/strong><\/td>European Journal of Turkish Studies 25<\/td><\/tr>
\u00d6ZET<\/strong><\/td>
Beatrice\u00a0Hendrich<\/span>\u00a0and Dilek\u00a0Sarmis<\/span><\/div>
The Message has to be spread: On the Character and Significance of Media in the Dissemination of Sufi Content in the Turkish Republic<\/span><\/a>
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Dilek\u00a0Sarmis<\/span><\/div>
Conceptualiser le mysticisme dans une perspective acad\u00e9mique\u00a0: la constitution d\u2019une histoire g\u00e9n\u00e9rale du mysticisme chez Mehmet Ali Ayni (1868-1945)<\/span><\/a>
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Conceptualizing mysticism through an academic perspective: the constitution of a general history of mysticism by Mehmet Ali Ayni (1868-1945)<\/span><\/div>
Laurent\u00a0Mignon<\/span><\/div>
Du mysticisme au nationalisme religieux\u00a0: les ambigu\u00eft\u00e9s de S\u00e2miha Ayverdi (1905-1993)<\/span><\/a>
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From mysticism to religious nationalism: The ambiguities of Samiha Ayverdi (1905-1993)<\/span><\/div>
Beatrice\u00a0Hendrich<\/span><\/div>
Tr\u00e4ume, Reime, Laptops<\/span><\/a>
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Die Medialisierung religi\u00f6ser Erfahrung in drei t\u00fcrkischen Romanen<\/span><\/div>
Dreams, Rhymes, Laptops. The medialization of religious experience in three Turkish novels<\/span><\/div>
Banu\u00a0\u015eenay<\/span><\/div>
Rethinking Spirituality through Music Education in Istanbul<\/span><\/a>
<\/span><\/div>

Founded in 2004, the\u00a0European Journal of Turkish Studies\u00a0is a peer-reviewed, open access, and interdisciplinary academic journal indexed by ERIH+ and DOAJ compliant. More about us:\u00a0http:\/\/journals.openedition.org\/ejts\/3230<\/a><\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Foto\u011fraflarla Atat\u00fcrk<\/a><\/strong><\/h6>
KONU<\/strong><\/td>Mustafa Kemal Atat\u00fcrk<\/td><\/tr>
YAZAR<\/strong><\/td>\u00a0<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-605-4642-71-7<\/td><\/tr>
YAYINCI<\/strong><\/td>Suna ve \u0130nan K\u0131ra\u00e7 Vakf\u0131 Yay\u0131nlar\u0131<\/td><\/tr>
\u00d6ZET<\/strong><\/td>

Mustafa Kemal Atat\u00fcrk\u2019\u00fcn 1906 y\u0131l\u0131ndan \u00f6l\u00fcm\u00fcne kadar olan s\u00fcreci kapsayan Foto\u011fraflarla Atat\u00fcrk kitab\u0131, b\u00fcy\u00fck liderin askeri ve siyasi kariyerine odaklan\u0131rken bir yandan da, Mare\u015fal Fevzi \u00c7akmak, \u0130smet \u0130n\u00f6n\u00fc, Kaz\u0131m Karabekir, Rauf Orbay, Cevat Abbas, K\u0131l\u0131\u00e7 Ali gibi silah ve dava arkada\u015flar\u0131 ile Halide Edip, Claude Farrere gibi d\u00f6nemin \u00f6nc\u00fc d\u00fc\u015f\u00fcn insanlar\u0131n\u0131, \u00e7e\u015fitli Anadolu kentlerinden insan g\u00f6r\u00fcn\u00fcmlerini ve resmi ziyarette bulunan yabanc\u0131 devlet adamlar\u0131n\u0131 da g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>

Kurtulu\u015f Sava\u015f\u0131, Cumhuriyetin kurulu\u015fu ve ilk y\u0131llar\u0131na dair \u00e7e\u015fitli olaylara tan\u0131kl\u0131k eden ve T\u00fcrk\u00e7e, \u0130ngilizce ve Frans\u0131zca olarak 3 dilde yay\u0131nlanan kitap, Selahattin Giz, Jean Weinberg, Ali Enis Oza gibi d\u00f6nemin \u00fcnl\u00fc foto\u011fraf\u00e7\u0131lar\u0131n\u0131n karelerinden olu\u015fuyor.<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bir Ka\u011f\u0131t Mimar\u0131n\u0131n Hayali D\u00fcnyas\u0131<\/a><\/h6>
KONU<\/strong><\/td>Bir Ka\u011f\u0131t Mimar\u0131n\u0131n Hayali D\u00fcnyas\u0131: Nazim\u00ee Yaver Yenal sergisi, 20. y\u00fczy\u0131l T\u00fcrk mimarl\u0131\u011f\u0131n\u0131n \u00f6zg\u00fcn isimlerinden Yenal\u2019\u0131n (1904-1987), Sanayi-i Nefise Mektebi\u2019ndeki \u00f6\u011frencilik y\u0131llar\u0131ndan ba\u015flayarak 1950\u2019li y\u0131llara uzanan s\u00fcre\u00e7teki \u00fcretimlerine odaklan\u0131yor.<\/td><\/tr>
YAZAR<\/strong><\/td>\u00a0<\/td><\/tr>
YIL<\/strong><\/td>2017<\/td><\/tr>
ISBN\/ISSN<\/strong><\/td>978-605-4642-72-4<\/td><\/tr>
YAYINCI<\/strong><\/td>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc<\/td><\/tr>
\u00d6ZET<\/strong><\/td>\u00a0<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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WANAT<\/h4>
Subject<\/strong><\/td>Cultural Heritage, Cultural History, Archaeology, Social Life and Culture, Foodways<\/td><\/tr>
Editors<\/strong><\/td>

Peter Pav\u00fak, Magda Pieni\u0105\u017cek, Christopher H. Roosevelt<\/p><\/td><\/tr>

Year<\/strong><\/td>\u00a02024<\/td><\/tr>
ISBN<\/strong><\/td>

978-605-67082-2-0<\/p><\/td><\/tr>

Publisher<\/strong><\/td>

\u00a0Ko\u00e7 University Press<\/span><\/p><\/td><\/tr>

Summary<\/strong><\/td>This peer-reviewed edited volume brings together the results of a diverse group of international researchers conducting new fieldwork, applying new approaches, and making new interpretations about the archaeology of Middle and Late Bronze Age western Anatolia. The territory is huge, and it shows considerable regional diversity. What makes western Anatolian cultures different from their neighbors? Is it possible to identify discrete subregions clearly? And what trajectories of local cultural change and regional interaction did they follow? In addressing these and many other questions, the contributors to this volume provide fresh overviews of current states of research, demonstrating material and chronological synchronicities and\/or gaps in knowledge that stretch across the broad territory of western Anatolia, just as they encourage further research into defining regional and sub-regional specificities. Such specificities suggest that the area should not be thought of as one monolithic cultural whole. Rather, they allude to a collection of related yet discrete units, whose shared commonalities stem from participation in overlapping spheres of communication, exchange, and political interaction, justifying their consideration together in a volume like this one.<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SOFRA<\/h4>
Subject<\/strong><\/td>\u00a0Cultural Heritage, Cultural History, Archaeology, Social Life and Culture, Foodways<\/td><\/tr>
Editors<\/strong><\/td>\u00a0Tara Ingman (ENG), \u00d6zge Ertem (TR)<\/td><\/tr>
Year<\/strong><\/td>\u00a02024<\/td><\/tr>
ISBN<\/strong><\/td>\u00a0978-625-94521-1-1<\/td><\/tr>
Publisher<\/strong><\/td>

\u00a0Ko\u00e7 University Press<\/span><\/p><\/td><\/tr>

Summary<\/strong><\/td>This is a book about and for the people, communities, and food of Manisa province, T\u00fcrkiye. From the Bronze Age to the present, it is a story about the food traditions that individuals, especially women, chose to prioritise and therefore keep alive, sometimes for millennia. Yet, as food priorities shift in response to our rapidly changing world, more and more decision-making is required. Consequently, this is both a cookbook and a guidebook for those wishing to find balance in their own food priorities, as well as a permanent record of these recipes and activities. SOFRA<\/em>\u00a0was published with the support of the UK Arts & Humanities Research Council grant \u201cNegotiating the Modernity Crisis: Globalization, economic gain and the loss of traditional and sustainable food practices in Turkey\u201d (AHRC\u202fAH\/V000454\/1), awarded to PI Erica Rowan, Royal Holloway University, London and co-PI Christina Luke, Ko\u00e7 University.\u00a0\u00a0<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Istanbuler Mitteilungen<\/strong><\/h4>
Subject<\/strong><\/td>Neolithic architecture of Eastern Anatolia, the Roman Imperial period,\u00a0 Western Anatolian coast, Byzantine Architecture sculpture in Phrygia.<\/td><\/tr>
Editors<\/strong><\/td>\u00a0<\/td><\/tr>
Year<\/strong><\/td>\u00a0<\/td><\/tr>
ISBN<\/strong><\/td>\u00a0<\/td><\/tr>
Publisher<\/strong><\/td>\u00a0<\/td><\/tr>
Summary<\/strong><\/td>

The latest issue of the\u00a0Istanbuler Mitteilungen<\/em> features numerous exciting contributions, ranging from the Neolithic architecture of Eastern Anatolia, to the Roman Imperial period along the western Anatolian coast, and Byzantine architectural sculpture in Phrygia. https:\/\/publications.dainst.org\/journals\/istmitt\/issue\/view\/537<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Suppose You Are Not<\/h4>
Subject<\/strong><\/td>Works selected from the \u00d6mer Ko\u00e7 Collection; collecting practices, cabinets of curiosities, collective unconscious, and exhibition themes<\/td><\/tr>
Editors<\/strong><\/td>Selen Ansen and S\u00fcreyyya Evren<\/td><\/tr>
Year<\/strong><\/td>January 2024<\/td><\/tr>
ISBN<\/strong><\/td>978-605-73355-5-5<\/td><\/tr>
Publisher<\/strong><\/td>Published in the context of the exhibition at Arter<\/td><\/tr>
Summary<\/strong><\/td>Published in the context of the **Suppose You Are Not** exhibition, formed with works from the \u00d6mer Ko\u00e7 Collection, this book explores the relations created through the juxtapositions within a collection. It begins with Selen Ansen\u2019s curatorial text, \u201cA Door either Open or shut,\u201d followed by art historian Claudia Swan\u2019s essay on the history of wonders and cabinets of curiosities, and Cana Bostan\u2019s essay on collecting practices through concepts of collective unconscious, desire, and history. Designed by Ye\u015fim Demir Pr\u00f6hl, the publication also features exhibition views and reproductions by photographers Orhan Cem \u00c7etin and Hadiye Cang\u00f6k\u00e7e. Drawing inspiration from a line in Omar Khayyam\u2019s *Rubaiyat*, the exhibition investigates how a private collection can transition from a domestic setting to a museum context, while highlighting the affinities formed between diverse objects through the collector\u2019s vision. With contributions from nearly 400 artists, anonymous artefacts, and various objects, it also marks the first private collection exhibition at Arter.<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Maaria Wirkkala: Landing Prohibited<\/h4>
Subject<\/strong><\/td>An in-depth exploration of Maaria Wirkkala\u2019s *Landing Prohibited* installation, first exhibited at the 52nd Venice Biennale in 2007, focusing on the influence of geographic elements such as water, air, and light<\/td><\/tr>
Author<\/strong><\/td>Nil\u00fcfer \u015ea\u015fmazer<\/td><\/tr>
Year<\/strong><\/td>September 2024<\/td><\/tr>
ISBN<\/strong><\/td>978-605-73355-9-3<\/td><\/tr>
Publisher<\/strong><\/td>Arter Close-Up Series<\/td><\/tr>
Summary<\/strong><\/td>The fifth book in the **Arter Close-Up** series provides an in-depth exploration of Maaria Wirkkala\u2019s *Landing Prohibited*, first exhibited at the 52nd Venice Biennale in 2007 and acquired for the Arter Collection the same year. The publication features an introductory text by the exhibition\u2019s curator, Nil\u00fcfer \u015ea\u015fmazer, and a comprehensive interview with the artist. It highlights how Wirkkala\u2019s upbringing in Finland (Helsinki in the south, Lapland in the north) and Italy (Venice) influenced her artistic practice through geographic and environmental elements like water, air, and light. Designed by Esen Karol, the book includes installation photographs and close-up images by Orhan Cem \u00c7etin, offering detailed visual insights into the artwork.<\/td><\/tr>
Pages<\/strong><\/td>80<\/td><\/tr>
Dimensions<\/strong><\/td>16.5 x 22 cm<\/td><\/tr>
Language<\/strong><\/td>English<\/td><\/tr>
Price<\/strong><\/td>20 \u20ac<\/td><\/tr>
Design<\/strong><\/td>Esen Karol<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Yasemin \u00d6zcan: Wet Floor<\/h4>
Subject<\/strong><\/td>An in-depth exploration of Yasemin \u00d6zcan\u2019s solo exhibition *Wet Floor*, addressing themes of intergenerational transmission, migration, and self-construction through the complex relations between human beings and earth, language and remembrance, autobiography and fiction<\/td><\/tr>
Author<\/strong><\/td>Edited by: Eda Berkmen and S\u00fcreyyya Evren<\/td><\/tr>
Year<\/strong><\/td>September 2024<\/td><\/tr>
ISBN<\/strong><\/td>978-605-73355-7-9<\/td><\/tr>
Publisher<\/strong><\/td>Arter<\/td><\/tr>
Summary<\/strong><\/td>This publication accompanies Yasemin \u00d6zcan\u2019s solo exhibition at Arter and features an in-depth interview between the exhibition curator, Eda Berkmen, and the artist, along with essays by Kaya Gen\u00e7, Evrim Kaya, and I\u015f\u0131n \u00d6nol. The book highlights \u00d6zcan’s works in the exhibition, as well as her past exhibitions and productions, providing fresh insights into her various pieces. It also includes \u00d6zcan\u2019s fictional text *V Collar*, which explores the experiences of female characters from three different generations, and the texts she wrote for her *Wet Floor* and *Sealant Sculptures* series. Designed by Ay\u015fe Bozkurt, the book also features reproduction images and exhibition photographs by Hadiye Cang\u00f6k\u00e7e and flufoto (Bar\u0131\u015f Aras & Elif \u00c7ak\u0131rlar).<\/td><\/tr>
Pages<\/strong><\/td>144<\/td><\/tr>
Dimensions<\/strong><\/td>18 x 24.5 cm<\/td><\/tr>
Language<\/strong><\/td>English<\/td><\/tr>
Price<\/strong><\/td>25 \u20ac<\/td><\/tr>
Design<\/strong><\/td>Ay\u015fe Bozkurt<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Industrial Heritage for Sustainable Cities: Proposals for the Transformation of Istanbul’s Unkapan\u0131 Flour Mill<\/h4>
Subject<\/strong><\/td>An exploration of the transformation of industrial heritage sites, addressing their tangible and intangible values, and their potential to foster urban inclusivity, sustainability, circularity, and public engagement.<\/td><\/tr>
Author<\/strong><\/td>Edited by: Fokke Gerritsen, \u00d6zg\u00fcn \u00d6z\u00e7ak\u0131r, Aysel Arslan, Sena Kayas\u00fc, Sedef Yurdag\u00fcl<\/td><\/tr>
Year<\/strong><\/td>2023<\/td><\/tr>
ISBN<\/strong><\/td>978-605-72590-0-4<\/td><\/tr>
Publisher<\/strong><\/td>NIT Urban Heritage Lab<\/td><\/tr>
Summary<\/strong><\/td>This publication is one of the outcomes of the inaugural program of the NIT Urban Heritage Lab. Following an introduction to the course, its scope, and its aims, the book showcases four proposals developed by the participants of the *Industrial Heritage for Sustainable Cities Course* for transforming the Unkapan\u0131 Flour Mill. These proposals are original, thought-provoking, and inspirational, while grounded in solid, multidisciplinary, and collaborative work, exemplifying the goals of NIT Urban Heritage Lab.<\/td><\/tr>
Pages<\/strong><\/td>Not specified<\/td><\/tr>
Dimensions<\/strong><\/td>Not specified<\/td><\/tr>
Language<\/strong><\/td>English<\/td><\/tr>
Price<\/strong><\/td>Free (Available for download)<\/td><\/tr>
Download<\/strong><\/td>Download the book<\/a><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Water Heritage for Sustainable Cities: Proposals for the Revalorization of the Valens Aqueduct in Istanbul<\/h4>
Subject<\/strong><\/td>An exploration of the connections between urban water heritage appreciation and present-day water crisis awareness, aiming to develop integrated solutions for urban sustainability.<\/td><\/tr>
Author<\/strong><\/td>Edited by: Mari\u00ebtte Verhoeven, Fokke Gerritsen, Aysel Arslan, Alvise Cecchetti, \u00d6zg\u00fcn \u00d6z\u00e7ak\u0131r<\/td><\/tr>
Year<\/strong><\/td>2023<\/td><\/tr>
ISBN<\/strong><\/td>978-605-72590-2-8<\/td><\/tr>
Publisher<\/strong><\/td>NIT Urban Heritage Lab<\/td><\/tr>
Summary<\/strong><\/td>This book presents the outcomes of the graduate-level course program *NIT Urban Heritage Lab: Water Heritage for Sustainable Cities*, offered by the Netherlands Institute in Turkey (NIT) in autumn 2022. The course explored innovative strategies to use tangible and intangible water heritage to promote urban sustainability during the climate crisis. The publication features four interdisciplinary and international team proposals developed as part of the program, showcasing informed and integrated approaches to addressing contemporary challenges.<\/td><\/tr>
Pages<\/strong><\/td>Not specified<\/td><\/tr>
Dimensions<\/strong><\/td>Not specified<\/td><\/tr>
Language<\/strong><\/td>English<\/td><\/tr>
Price<\/strong><\/td>Free (Available for download)<\/td><\/tr>
Download<\/strong><\/td>Download the book<\/a><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Aziz Mahmud H\u00fcdayi in Istanbul \u2013 Biographie eines Ortes Subject Aziz Mahmud H\u00fcdayi\u2018nin (1541-1628) hayat\u0131, \u00dcsk\u00fcdar\u2019daki t\u00fcrbesi, Istanbul\u2019da Sufismin k\u00fclt\u00fcr\u00fc […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-6877","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/pages\/6877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/comments?post=6877"}],"version-history":[{"count":70,"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/pages\/6877\/revisions"}],"predecessor-version":[{"id":8824,"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/pages\/6877\/revisions\/8824"}],"wp:attachment":[{"href":"https:\/\/bibliopera.org\/en\/wp-json\/wp\/v2\/media?parent=6877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}